Capturing elusive thoughts with the tip of a pencil

Capturing elusive thoughts with the tip of a pencil

Sunday, December 19, 2010

Beautiful Heart

Brooding dissonance of love despised,
Better to uproot and unwind the skies.

For perhaps on spool of heaven’s thread,
May penitence mend what innocence said.

By makeshift truth he tells his lies,
To answer her whats and wheres and whys.

His lingering glance, unable to sate,
The reckoning day, when sorrow’s too late.

The stars will fall and lightning shall reign,
And break the will of sordid heart’s vein.

Then will he know what’s won and what’s lost,
Then shall he pay his pleasure’s full cost.

Til then does she wait on tireless breath,
On hope and longing for agony’s death.

But stand fast and stand firm, beautiful heart,
To practice and master Love’s finest art.

Though injustice sears and malice grips,
Forgiveness flows from your lovely lips.

Heaping coals of unbearable flame,
Upon his shoulders in tormenting shame.

Take courage now, most beautiful heart,
You fear the end, but receive the start

Of life renewed in radiant hue,
And glorious joy, known by a few.

Your countless tears, a heavenly rain,
Their stinging embrace, held not in vain,

And for this pain, there is not a cure;
But beautiful heart, you shall endure.

Sunday, December 12, 2010

The Author of Grace

     I usually do not preface my poems with any kind of commentary or explanation simply because I like for the reader to experience the poem however they so please, without any kind of presuppositions or notions that I may superimpose on them myself. I would hope that the form and the voice of each poem would speak for itself, if perhaps in different tones to different ears. However, I thought I might just interject a quick word about this poem beforehand because it was constructed with some intentions that I think add to the meaning of the poem as a whole.
     The intent of this particular piece is to relate a poetic retelling of the creation story found in Genesis. Consequently, I attempted to model some of the amazing literary parallelism, repetition, and overall structure found in this incredible story. This poem is written in separated lines of iambic pentameter (although imperfectly) to give a sense of rhythm and flow that I think is inherent in the story of creation. In the Bible, each creative act is beautifully followed by another, all the while being carefully orchestrated by their Creator into a symphony of harmony and unity. In addition, I began nearly every stanza (save the first and the last) with the voice of God. This was an attempt to remember the preeminence of God's words and the incredible power of a voice that can create a universe with nothing more than an utterance. Also, I have replaced the recurring phrase "and God saw that it was good," found at the end of each day in the Biblical account with the couplet, "Set now in place by the author of grace," simply to preserve the definitive bookmarks that the Bible provides for each creative act. It is important to note that the sixth day is the only day to separate two acts of creation, and I highlighted this by adding a four lines to the stanza relating the creation of man and woman. And while these literary devices may seem elementary or not quite extraordinary, I think it is important to remember the simple beauty of the story that ultimately tells who we are, why we are here, and Who is responsible for it all. So, without any further ado, The Author of Grace:

Hear of a time
When time was not,
Of heavens unmade,
And earth unwrought.
Formless and void
In chaotic deeps,
Hovered the Voice
Of love and peace.

“First,” then He said,
“Let this darkness be gone,
And bring forth instead
The light of first dawn.”
In brilliant array,
Colors ignited
In prisms of wonder,
Distinctly united.
Night and the day,
Wrest from the fray,
Set now in place
By the Author of grace.

 “Second,” then He said,
Let an expanse open wide,
And twixt the two waters,
Let there be a divide.”
Rushed then the waters,
One high and one low,
To its place in the heavens,
And to its kingdom below.
Aquarius beams,
Locked where He deems,
Set now in place
By the Author of grace.

“Third,” then He said,
“Let the dry land appear,
And cover it all
With fecund frontier.”
Sprouted then the land
From watery soil,
And gave forth in turn,
A garden most royal.
Each branch of them was raised
In silent song of praise,
Set now in place
By the Author of grace.

“Fourth,” then He said,
Let the light be contained,
And in serene bodies,
Let its rays be restrained.”
The light and the stars
Were fashioned as one,
And the moon was exhaled
As He breathed out the sun.
Beautiful signs
Of the days and the times,
Set now in place
By the Author of grace.

“Fifth,” then He said,
Let the water and air
Be filled with new life,
And no longer be bare.”
The flocks of the skies,
And swarms of the sea,
Banished the silence,
No longer to be.
From the chick’s first peep,
To monsters of deep,
Set now in place
By the Author of grace.
 
“Sixth,” then He said,
Let the fauna of land
Cover the world
And reveal My great hand.”
Of kind they were made,
In all shapes and size,
From imploring squeaks,
To bellowing cries,
Filling the earth
With stampedes of mirth,
Set now in place
By the Author of grace.
 
“Now,” then He said,
Let Us fulfill our plan.”
And thus He brought forth
The woman and man.
“As Us shall they be,
Our image to bear,
To dwell on the earth,
But Our glory to share.”
And all that was made
Passed into their hands,
From fish of the sea,
To beasts of the land.
Creation complete
With this final feat,
Set now in place
By the Author of grace.

On the seventh day,
The Voice did not call,
For any new thing;
He created them all.
While six did He work,
Today did He rest,
And now is that day,
Eternally blest.
The wonders of glory,
Forever this story,
Set now in place
By the Author of grace.