Capturing elusive thoughts with the tip of a pencil

Capturing elusive thoughts with the tip of a pencil

Thursday, April 5, 2012

Taylor Hardy "Aveux"


This story is told from the perspective of a man, Vince, who is struggling to reconcile the emotions attached to his dark and tumultuous past. His only loves in life seem to be his daughter, Amelia, and their dog, Shadow. Vince’s main source of emotional distress seems to stem from his wife’s suicide some years ago. It is never made clear why his wife killed herself, but her appearance of religious piety was revealed to be nothing more than a ruse meant to instill a sense of virtue in Amelia. In order to fill his loneliness, Vince begins sleeping with an unstable woman named Erica. Erica ends up killing herself as well, hoping to frame Vince for her death. After some jail time and a trial, Vince is acquitted of the crime, and he decides to move with Amelia to Paris to start a new life.
            I think this piece had an interesting premise with lots of potential for interesting characters and dynamics. I also liked a few choice moments, one of which was the line that read “Life is not some stupid fucking Nicholas Sparks novel,” which I thought was a very apt insight to life. What kept me from enjoying this story, however, primarily had to do with unbelievable dialogue and flat characters. One of the first things that distracted me was the overuse of direct addresses. In far too many lines, the dialogue begins with one character saying the other’s name, making the dialogue feel impersonal. Many interactions also felt stiff, such as in the following example: “Go back to your husband and the land of certainty, which is filled with love and false reality.” I didn’t feel like this would be something one person would really say to another. It was also statements like this that made me feel like the characters were somewhat lacking in depth and believability. In revision, I would suggest restructuring the dialogue to evoke a more subtle and believable revealing of the characters.
            All in all, I see a lot of potential for this story, but as it stands now, the surface-level descriptions and dialogue keep me from getting immersed in the action. When revising, I would focus primarily on the descriptions and interactions between characters. With these issues addressed, I think this could be a really engaging piece.

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